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加州法官裁定，执法部门不应强迫嫌疑人使用面部识别码或触摸识别码解锁iPhone。_我的网站

一 | 1月15日：据9to5Mac新闻报道，已知的第一起执法案件发生在几个月前的美国。联邦调查局要求嫌疑犯用身份证解锁他的手机。然而，在《福布斯》14日的一份报告中，加利福尼亚州一名法官裁定，政府不能强迫人们通过生物识别功能解锁他们的手机，即使他们有命令。    Released in 1990, Anjali is often labelled a “children’s film” or “family drama.” While not inaccurate, those descriptors do little justice to its scope. At its heart, Anjali is an unflinching exploration of how a family fractures and reforms in the presence of the ‘other’. That ‘other’ is Anjali, a young girl with multiple neurodevelopmental conditions, abandoned at birth by a father (Raghuvaran) too afraid to allow grief and hope to co-exist. This isn’t merely a story of acceptance. It is one of confrontation, of guilt, of tenderness, of societal callousness. The child becomes a mirror, and every character from her mother (Revathi, sublime even in silence) to her bewildered siblings is forced to reckon with what they see in their reflections.          Beyond the Noise: Anjali as a Radical Experiment in Empathy In the landscape of Tamil cinema in the 1980s and early ’90s, defined by moral binaries and external antagonists, Ratnam’s Anjali was a narrative insurgency. There are no villains here. The real struggle resides within the confines of the home, and in our collective discomfort with difference. The film dares to ask difficult questions: What does it mean to be normal? Who gets to decide? And can love alone mend the gaping wound of fear?           Language of Loss: Visual Poetry and Sonic CompassionSantosh Sivan’s cinematography conjures a visual poem—Anjali glimpsed through half-closed doors, framed in fractured mirrors, or bathed in gentle light. Her presence is not marginalised, but mythologised. She isn’t just a character; she is a quiet force that reshapes the emotional architecture of everyone around her.Ilaiyaraaja’s music doesn’t accompany the film, it animates it. A lullaby becomes a leitmotif of endangered innocence. His string arrangements, especially the plaintive violins and cellos, turn emotional undertow into orchestral language. Without his score, Anjali would still speak, but not sing.And then there is Shamili. Her performance is startling not for its polish, but its truth. There’s nothing rehearsed about it. Mani Ratnam, ever the alchemist of performance, finds in her something raw and instinctual; less acting, more inhabiting.           The Social Politics of Tenderness In hindsight, Anjali might be Ratnam’s most political film; not through slogans or speeches, but through its unwavering gaze at how society fails its most fragile members. The apartment complex, with its manicured lawns and modern facades, reveals itself as emotionally atrophied, until Anjali unearths something resembling humanity. There is no appeal to sentimentality. Instead, Ratnam urges us to sit in discomfort. And in doing so, he crafts a film that listens more than it speaks, a cinematic act of radical empathy in an era of dramatic noise.            A Legacy Too Quiet to Ignore  For all the epic scale of Raavanan or the operatic ambition of Ponniyin Selvan, Anjali remains Ratnam’s boldest creative risk. In a culture that celebrated machismo and mass appeal, he dared to whisper. And perhaps that’s why we don’t talk about it enough. Because Anjali isn’t here to entertain. It’s here to unearth.  And in that stillness, lies its genius.       See Also:Aishwarya Rai Bachchan and Amitabh Bachchan to star in Mani Ratnam’s next?。在这起案件中，加利福尼亚州北部地区法院听取了警方的意见，他们正在寻求搜查令，作为Facebook敲诈案的一部分。案件中的受害者被要求支付一笔钱，以避免向公众发布“令人尴尬”的视频。执法当局想用搜查令来搜查他们认为在此案中的嫌疑人的财产。

二 | 在一次突袭中，他们试图通过面部识别码和触摸识别码解锁嫌疑人的手机。法官同意警方有逮捕令，但无权强迫嫌疑人通过生物识别技术解锁他们的设备。

三 | KandisWestmore法官表示，这一要求“过于宽泛，不能仅限于特定的人员或设备”。值得注意的是，如果执法机关要求更窄的逮捕令，这项特别裁决将来可能会被推翻。然而，更广泛地说，威斯特莫尔法官裁定，即使有逮捕令，也不能强迫嫌疑人通过人脸识别和触摸识别等生物识别技术来解开他们的罪行。法官在裁决中解释说，在解锁手机的情况下，指纹和面部识别与实物证据不同。”如果一个人因为证词交流而不能被强制提供密码，那么他就不能被强制提供指纹、虹膜、面部或其他生物特征识别功能来解锁同一个设备，”法官写道。韦斯特莫尔说，除了在突袭中发现的设备之外，还有其他方法可以访问“不违反第五修正案”所需的数据。这包括访问Facebook和请求访问Facebook信使对话。在去年10月的一份新闻报道中，联邦调查局要求嫌疑犯向iPhoneX展示自己的脸，以解锁手机。当时，《第五修正案》没有保护面部识别和触摸识别。

四 | 威斯特莫尔法官的裁决将随着时间的推移而生效，理想情况下为用户提供与字母数字密码相同的面部识别和触摸ID法律保护。

五 |

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Published on:02:27:07